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The following was sent out via email from the management of Lambda Rising, DC’s primere GLBT bookstore on Friday December 4, 2009.
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Philip Clark, The New Gay’s former columnist, will be releasing a book he co-edited with David Groff entitled Persistent Voices: Poetry by Writers Lost to AIDS (Alyson) later this month. The four-year project collects the work of poets across genders, ethnicities and languages, all of whom succumbed to AIDS, from the first epidemic to present times. A number of promotional events are planned for the book’s release, including a reading at the DC Center on December 10. Clark took time from his hectic schedule to discuss book his work on the book with The New Gay, and his future research projects.
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Written in the form of a diary, The Red Tree is set in Rhode Island, where the author Sarah Crowe has rented out a house, both to escape a recent tragedy—the suicide of her lover in Atlanta—and to work on a long overdue manuscript. The brunette nubile nymphet on the cover of the book bears little resemblance to the actual character Crowe in the book. Sarah Crowe is a chain-smoking, 44 year old bitter woman. In fact, she is downright unlikable at times, as she is full of negativity and armed with a variety of prickly self-defense mechanisms. Upon moving into the small house at the height of summer, she finds an old typewriter in the basement, and upon further exploration, a sub-basement that has an uncompleted manuscript by the former tenant of the house, Dr. Charles L. Harvey. Crowe begins using the typewriter, in spite of having a laptop, and Harvey’s reams of unused onionskin paper. She avoids working by writing a journal and reading Harvey’s manuscript. The manuscript concerns Harvey’s research on the legends surrounding the huge red oak that grows on the property.
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Busboys and Poets welcomes Dr. Cornel West on Thursday as he discusses and signs his works, including his latest: Brother West: Living and Loving Out Loud, A Memoir. Cornel West has been a champion for racial justice since childhood. His writing, speaking, and teaching weave together the traditions of the black Baptist Church, progressive politics and jazz.





